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Most handwriting fonts look great in a title and fall apart the moment you ask them to hold a sentence. Penny Press was drawn the other way round: an even, upright axis, open counters, a steady baseline, and gentle rounded terminals, so it reads clean in a headline and keeps its feet under it all the way down a paragraph. Nothing collides, nothing gets tired.
It works in two registers: an everyday lowercase for planners, notes, and body text, and a sharp all-caps look for lists, labels, and headers. Full punctuation, symbols, currency, and an extended Latin set are all drawn on the same pen, so accents and diacritics never look borrowed.
Use it for planners and journals, packaging, product branding, greeting cards, editorial layouts, and anywhere you want handwriting that feels personal but still does its job.
What you get: Mix Penny Press in OTF, TTF, and WOFF.
Made for: planners and journaling, stationery and packaging, logos and wordmarks, greeting cards, children’s books, and long-form handwritten text that needs to stay legible.